Daughter - Touring Package
For more information please contact Pandemic Theatre's Artistic Director Tom Arthur Davis at email@example.com or +1 (647) 701-0939.
Both hysterical and disturbing, Daughter plays in the liminal space between autobiography and fiction. It is a darkly satirical piece about a father stuck in a moment of confusion - raised in patriarchy, confronting his new identity as a patriarch/father, and not knowing how to operate in the world. Daughter is a true thought disrupter that will leave you charged and ready to talk. This provocative one-man show about toxic masculinity is written by Canada’s Bouffon-King Adam Lazarus and co-created with Ann-Marie Kerr, Melissa D’Agostino and Jiv Parasram.
Daughter interrogates questions of culpability and complicity in our society. It examines the subtle and not so subtle ways we condone and encourage misogyny; “boys will be boys”.
Daughter is a provocative one-man show about toxic masculinity, written & performed by Canada's Bouffon-King, Adam Lazarus. It interrogates questions of culpability and complicity in our society, examining the subtle and not-so-subtle ways we condone and encourage misogyny.
Billing & Crediting
The following credits must appear on all promotional material exactly as shown:
WRITTEN BY Adam Lazarus
DIRECTED BY Ann-Marie Kerr
CO-CREATED BY Adam Lazarus, Ann-Marie Kerr, Melissa D'Agostino, and Jivesh Parasram
PRODUCED BY QuipTake & Pandemic Theatre
LIGHTING DESIGN BY Michelle Ramsay
SOUND & COMPOSITION DESIGN BY Richard Feren
STAGE MANAGEMENT & TECHNICAL DIRECTION BY Michelle Ramsay
PRODUCED BY Adam Lazarus, Jivesh Parasram, & Tom Arthur Davis
RUNNING TIME: 65-70 minutes, no intermission.
AUDIENCE ADVISORIES: loud noises, loud music, content warnings available at the box office.
All photos by John Lauener.
For hi-res images, contact Tom.
For password, contact Tom.
Adam Lazarus is an award-winning theatre creator, actor, director, and acting instructor whose work has been showcased nationally, in the United States, and in Europe. Hailed as “Toronto’s favourite nasty clown”, and “the bouffon king”, he brings a dark and comic sensibility to all of his work. An sessional acting instructor at the National Theatre School of Canada, Pig Iron Theatre’s School for Performance, the Sibiu International Theatre Festival, and the University of Toronto, Adam was the founder and artistic director of the Toronto Festival of Clowns for ten years, and is a graduate of and former apprentice to Master Teacher Philippe Gaulier. In the fall of 2016, he launched the theatre training centre, www.playontheatre.ca. Adam lives in Toronto with his wife Sarah, and their two children, Josephine and Oliver.
Ann-Marie Kerr is an award-winning theatre director, actor and teacher. Her work has been presented nationally and internationally including: The Globe Theatre (Regina), Neptune Theatre (Halifax), Alberta Theatre Projects (Calgary), Festival TransAmériques (Montreal), Under the Radar (NYC), 2b theatre company (Halifax); High Performance Rodeo (Calgary); Magnetic North Theatre Festival (Canada), Theatre Centre (Toronto); Soulpepper Theatre Company (Toronto), Luminato Festival (Toronto), National Theatre School (Montreal), Theatre Smith Gilmour (Toronto), Cork Midsummer Festival (Ireland), Edinburgh Fringe Festival (Scotland), Sydney Festival (Australia), Carrefour international de theatre (Quebec City), and UNO Festival (Victoria, BC). She teaches Jacques Lecoq work nationally including at the National Theatre School, Dalhousie University, Globe Theatre in Regina and the National Arts Centre. She was the inaugural recipient of the Gina Wilkinson Prize for Female Directors and is the former Artistic Associate at the Magnetic North Theatre Festival.
Melissa D'Agostino has presented over 10 live productions, including co-producing and starring in the Toronto Premiere of The Motherfucker with the Hat. She has directed several live productions, including 9/11 The Musical, Flightmare, and a previous collaboration with Adam Lazarus, Wonderland. Melissa was nominated for a Canadian Comedy Award (Lupe: Undone) and recently won a Canadian Screen Award for her performance in the digital series Tactical Girls, which she also co-wrote and produced. Upcoming projects include Season Two of Tactical Girls, the feature film The Female Front, and the weekly talk-show, Hype Night with Mel and Dale.
Jivesh Parasram is a multidisciplinary artist, researcher, and facilitator of Indo-Caribbean descent. He has worked extensively with a wide array of companies and collectives throughout Toronto and Canada. He is a founder and Artistic Producer of Pandemic Theatre, and the Associate Artistic Producer at Theatre Passe Muraille. He was part of the 2016 Cohort of the Cultural Leaders Lab with the Toronto Arts Council and Banff Centre, and is a recipient of two Harold Awards, including the Ken McDougall Award. His work has played to audiences across Canada, Europe, and the Caribbean. Recent: The Only Good Indian (Pandemic), Sound of the Beast (TPM) Upcoming: Take d Milk, Nah? (Pandemic/bcurrent/TPM), Victim Impact (Theatre Conspiracy)
Richard Feren has been composing music & sound designs for theatre, dance, and films since 1992. Recently: WAITING FOR GODOT (Soulpepper); CONFEDERATION & RIEL, SCANDAL & REBELLION (VideoCabaret); LITTLE PRETTY AND THE EXCEPTIONAL (Factory Theatre); CAGE (Soulpepper); BREATH IN BETWEEN (Crow’s Theatre); UNHOLY (Nightwood); THE MAGIC HOUR (Theatre Centre); TOMORROWLOVE (Outside The March); A DOLL’S HOUSE (Soulpepper); THE BODY POLITIC (Lemontree Creations); THE TESTAMENT OF MARY (Soulpepper); LIFE, DEATH AND THE BLUES (Theatre Passe Muraille); THE 20TH OF NOVEMBER (Buddies In Bad Times); 20,000 LEAGUES UNDER THE SEA (Kidoons/Wyrd Productions); THE OTHER PLACE (Canadian Stage). Other: composed scores for six feature films & numerous shorts; won seven Dora Awards; 1999 Pauline McGibbon Award; shortlisted for the 2012 Siminovitch Prize.
Michelle Ramsay is an award-winning lighting designer who works with dance, theatre and opera companies across Canada. Selected designs include: Lukumi (The Watah Theatre); trace (Factory Theatre); Our Town (Theatre Rusticle); The Marriage of Figaro (Opera Atelier); The Magic Hour - co-designed with Jennifer Tipton (Jess Dobkin); Acquiesce (Factory Theatre/fu-GEN); for colored girls. . . (Soulpepper); Body Politic (lemonTree); Rocking Horse Winner (Tapestry Opera); Scarberia (Young People’s Theatre); Gertrude and Alice (Independent Aunties/Buddies in Bad Times Theatre); dead reckoning (Blue Ceiling Dance). She has received seven Dora Awards, a SATAward and the 2008 Pauline McGibbon award.
Tom Arthur Davis is the Artistic Director and co-founder Pandemic Theatre. His work has toured across Canada, the United States, and Europe. Artistic residencies include: Canadian Stage, Buddies in Bad Times, and Theatre Passe Muraille. Honours include: a nomination for the Governor General’s Literary Award for Drama, Best of Fringe & Patron's Pick (Toronto Fringe), Encore Series & Overall Excellence in Solo Performance (FringeNYC), and an honourable mention for the SummerWorks Prize for Production. Upcoming: Take d Milk, Nah? (Pandemic/bcurrent/TPM)
The goal of a QuipTake production is to provoke and entertain, to showcase the virtuosity of performance and text, and to artistically collide with current ideas and problems bubbling in the zeitgeist. We also attempt to expose and explore a state of confusion.
QuipTake was formed by Adam Lazarus in 2004 as a platform for his own work and as a collective of guest collaborators dedicated to education, mentorship, working with diverse artists, and focusing on social justice.
About Pandemic Theatre
Founded in 2009, Pandemic Theatre is a Toronto-based company mandated to create, develop, and produce work from critical and underrepresented perspectives that engage social and political themes. Our work is to challenge the role of aesthetics in a broader ideology. We strive to create spaces where political discourse is not only possible, but encouraged. www.pandemictheatre.ca
Post-Show Engagement & 'Zine'
Due to the show’s abrasive subject matter, our touring company can also include additional members to facilitate post-show discussions with members of your community who work in the field of social justice, specifically in the realm of violence against women.
We also offer a free 'zine' (which is punk rock for "magazine") as a way to help contextualize the performance. It includes writing from the creative team, a list of resources, and responses to the piece from various artists.
As a part of SummerWorks Performance Festival
As part of the Sibiu International Theatre Festival
As part of the Kick & Push Festival
A Co-Production with The Theatre Centre
The Theatre Centre
As part of High Performance Rodeo
Vertigo Theatre Centre
As part of PuSh International Performing Arts Festival
The Fox Cabaret (Club PuSh)
Presented by the National Arts Centre
As part of undercurrents Festival
National Arts Centre, Rossy Pavilion
Partners & Logos
This project has been made possible through the generous support of the Toronto Arts Council, the Ontario Arts Council, and the Canada Council for the Arts. It has been supported in part through "The Collaborations - at Canada's National Arts Centre."
The Daughter team has raised partnered with the White Ribbon Campaign, helping to raise $1,000 in support of their work in envisioning healthy relationships with masculinity, promoting gender equality, and ending violence against women and girls.